Story 95: "Iolokus" by Mustang Sally and RivkaT

[wendelah1]

A few days ago, someone was talking about fic and the phrase "most famous fic in our fandom" came up. I'm not sure what story she had in mind but surely "Iolokus" has to be a contender for that title. I have seen it nominated by many people for the best fan fiction novel, not just in our own, but in any fandom. I have also seen people say they couldn't finish it because Mulder and Scully were too "out of character."

The misspelled monster that started it all. Although I'm told it promotes heteronormativity in the end, we were more going for polymorphic perversity; you'll have to judge for yourself.

Summary: Painted across the barren and desolate reaches of Texas, the shadows of the Project put additional pressure on Scully and Mulder's already fragile relationship. After a hostage crisis raises more questions about the Project's breeding program, Scully begins her own investigation, leaving Mulder to choose between saving her and saving himself. Finally, the investigation leads to tragedy and Mulder and Scully find that more questions have been asked than answered.

The title reference was to an island mentioned in Medea, to which we turned for fairly obvious reasons.

Warnings: extreme violence, including the death of children.

There are four long sections to this behemoth. My first time through this fic I hadn't much knowledge of canon, so I am curious to see what I think of it now. Thank you to sangria_lila for this excellent nomination. If there is enthusiasm to continue, I suppose we can forge through to the end or just quit with book one. It's your call.

Please leave feedback for the authors and then come back and let us know what you think. Nominations for next time are made here. Since rivkat's site is down at the moment, the link is to the wonderful Fugues Fiction Archive. Of course, the story is also available at Gossamer.

Iolokus

Edit: Since Rivkat's site is back up, here is another link to the story: Iolokus.

Comments

[scarletbaldy.livejournal.com]

I know the scene you speak off in Alien Resurection, and had the same reaction. But if this is the scene where you brain went "NO", this is the scene where my brain went "HELL, YES!" I could completely buy that this particular Scully would do something like this.

I loved all the difficult scenes in Iolokus - though I did not "buy" all of them - but that's probably because I'm a sucker for deep dark angst and love it when good writing roughens me up out of my comfort zone a little.

Overly pretty language distracts me from the narrative flow, which is why I always had troube with Penumbra's writing until Fathom Five came along.

The Mooselet is made of pure genius.

[infinitlight.livejournal.com]

I think said scene is where my brain keeps trying to reconcile Iolokus Scully with 1013 Scully, and it just doesn't seem to gel for me. I like my angst plastered on with a trowel, and it certainly brings that, plus is an amazingly written scene but I have trouble with it.

I really enjoyed Penumbra's Black Hole Season, but while I think she (?) writes beautiful stories, I wasn't as crazy excited about Contact High or Parabiosis. I couldn't seem to get into Fathom Five, but I'll give it another go sometime.

[wendelah1]

Overly pretty language distracts me from the narrative flow, which is why I always had troube with Penumbra's writing until Fathom Five came along.

That's how I feel about a lot of poetic writing, too, although, I'm not sure narrative flow was the point of Parabiosis. It's long on characterization and short on plot, apart from season seven's. "Fathoms Five" is very carefully plotted, the writing is clear and lucid and lyrical. It's very dark--but I think it is by far her best writing.